News

2023

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

March 2012

Panoply

· Link

Some images of my new work, Panoply, at the Bluecoat as part of Topophobia. I’ll be inside the work next on Saturday from 12 – 2pm and will post a schedule of future performances here very soon..

All images courtesy of Anne Eggebert.

Panoply, 2012
Space for a body: scaffold and painted wood.
20ft x 3ft x 8ft

[A panoply is a complete suit of armour or a complete set of diverse components.”panoply” refers to the full armour of a hoplite or heavy-armed soldier, i.e. the shield, breastplate, helmet and greaves, together with the sword and lance.] Source

Panoply is a kind of hiding place made high above the normal passageways of the gallery, shielding me from the other inhabitants, like armour for my body. Fractured glimpses of my body are visible as I move around the space. This narrow corridor is like a wooden cloak or carapace, but the privacy it affords also turns into a trap; a claustrophobic space I can’t leave without being seen.

Bound by Silence

· Link

‘and all of the spaces inbetween’ will be in this exhibition of artists’ books at SUNY Cortland, New York State from March 12th to April 6th. A catalogue will accompany the exhibition.

Exhibiting artists: Dean Ebben, Jennifer Grimyser, Candance Hicks, Christopher K. Ho, Alison Knowles, Jessica Lagunas, Dani Leventhal, Barbara Rosenthal, Buzz Spector, Emily Speed. With work from the permanent collection by Carl Andre, John Baldessari, Peter Bernett, Jenny Holzer, Jeffrey Keedy, Barbara Kruger, Edda Renous, Ed Ruscha and Linn Underhill.

Exhibition flyer here: Bound by Silence

“These works examine the relationship between the visual elements and literary devices at play and emphasize the correlation between meaning and metaphor.  They were selected based on three criteria: the approach to craft tradition and the conceptual motivation, the source of the content, and the materiality of the language.  The purpose is to trace the heritage of these components back to the artist’s overall practice, most of them working with familiar forms, and to question the ways in which the information is being transmitted and consumed”