Tagged: exhibition

Body Builders in Exeter

I’m so pleased that the work I made in Texas back in October is going to get an outing at Exeter Phoenix in January. emily-speed-body-builders

EMILY SPEED – BODY BUILDERS

Fri 20 Jan 2017 – Sat 04 Mar 2017 | Gallery open from 10am-5.30pm daily (excluding Sundays) | free

Here’s some more info:

The exhibition is the first UK showing of new works that include Body Builders (2016) a video work commissioned by Fort Worth Contemporary Arts in Texas, (USA), which focuses on the relationship between the body and ancient classical architectural forms.

Themes that circle power, gender, status and the symbolic meaning and language of architecture are reflected upon and explored through the abstract narrative of her film. Her costumed protagonists, performed by choreographed dancers, are suggestive of ancient Greek Caryatids (female figures carved in stone that served as architecturally supporting columns) who are liberated here from their traditional weight-bearing, static roles.

Elsewhere in the exhibition, sculptures and wall drawings reference classical architectural forms, including structures that serve as hybrid architectural furniture and suggest a fluid, performative, even ritualistic space of interaction and exchange. Their shelves and niches function as a platform for the display of a series of small-scale clay models, which might suggest a soft remaking or reimagining of monumental stone buildings.

ASSOCIATED EVENTS

Artists Talk
Sat 11 Feb | 2pm | free 

Join the artist for a talk about her exhibition and wider practice.

 

BODY/BUILDING @ TRUCK Calgary

TRUCKMain Space/Parkade/U-Hall
June 3, 2016 to July 9, 2016

Solo exhibition: In BODY/BUILDING, ‘Groviglio (Tangle)’ is a two-channel film that considers the city (in this case, Rome) as a kind of palimpsest and the layers of activity from millions of inhabitants that have been erased, rewritten, replaced and overbuilt. A series of photographs and a short looped film comprise ’Sketches for Build-Up’, the results of many hours Speed has spent working with acrobalancers exploring the body as a kind of building material. ‘Brick Parade’ is a playful performance, where two brick walls will divide, contain and disrupt visitors to the exhibition. Following the opening, these costumes will be available for visitors to wear.

Thisistomorrow review of Indefinable Cities

On for two more weeks – Indefinable Cities at Airspace Gallery, Stoke on Trent, reviewed by Dominika Mackiewicz here.

More about the exhibition itself here.

Showing Groviglio/Tangle (foreground) by Emily Speed  and 'Look See' by Ben Cove (background) Showing Groviglio/Tangle (foreground) by Emily Speed and ‘Look See’ by Ben Cove (background)

 

Indefinable Cities

Airspace Gallery, Stoke-on-Trent

 

April 10th – May 16th, 2015

A group exhibition, exploring the development of cities worldwide, and in particular the way that artists are responding to and documenting Cities in flux, and more; how artists impact on their environments and the regeneration of Cities. Presenting works of 6 UK and Japanese artists, curated by Anna Francis (UK) and Koh Yoshida (JP).

film still

Still from ‘Groviglio/Tangle’, Emily Speed, 2015.

Indefinable Cities features the works of 6 artists – 3 from the UK - Emily SpeedBen Cove and Rebecca Chesney and 3 from Japan -Ayaka NishiHirofumi Suzuki and Daiki Murakami. The exhibition will open at AirSpace Gallery and then move to Japan, where the works will be exhibited at 6 venues across the country.

Tightrope

 

tightrope

 

Tightrope

Curated by Kate Pantling, Tightrope brings together the work of four international emerging artists Takming Chuang, Echo Morgan, Emily Speed and Hanae Utamura. The artists share a performative approach to their practice, where a sense of harmony, dissonance and a raw energy are connecting threads. Each artist takes their own body as a starting point, orchestrating narratives that explore the impact of encounters with materials, environments and cultures. Their work is personal, particular and often intimate but speaks to broader political and cultural concerns. By approaching their work from the context of performance, the artists bring a strong sense of dramatic tension to their artworks. Each of them embraces the visual impact of their interventions to create work that encapsulates a moment imbued with anticipation. They create projects that play across multiple mediums eluding easy categorisation and bringing dynamism and depth to the expression of their ideas.

Nothing is Finished, Nothing is Perfect, Nothing Lasts

After a lot of problem solving (budget + huge wall + fabrication + safety etc = this), I spent a really fun couple of days in March planning and making the work with Philip Hutfield from McD Marketing Ltd and Corian® using Cutting Edge plc’s amazing workshop for fabrication.

It’s made using Corian®, the same material the wall is clad in. We baked the material in a sheet 2.5 metres long (big oven) and used a mould to create the soft loop shape while the Corian® was still pliable. The work was fixed to the wall using silicone – in the same way that windows are fixed into skyscrapers. Some images to give you an idea before I get chance to document the work properly.

A huge thanks to Phil for all his hard work on the project. It will be up at Open Eye Gallery until September 2nd, unless the silicone is so strong it has to stay permanently! The work is part of the external wall, so can be seen outside of gallery opening hours, although the exhibitions inside are well worth a visit.

CUTTING EDGE ///  CORIAN® /// OPEN EYE GALLERY

Panoply

Some images of my new work, Panoply, at the Bluecoat as part of Topophobia. I’ll be inside the work next on Saturday from 12 – 2pm and will post a schedule of future performances here very soon..

All images courtesy of Anne Eggebert.

Panoply, 2012
Space for a body: scaffold and painted wood.
20ft x 3ft x 8ft

[A panoply is a complete suit of armour or a complete set of diverse components."panoply" refers to the full armour of a hoplite or heavy-armed soldier, i.e. the shield, breastplate, helmet and greaves, together with the sword and lance.] Source

Panoply is a kind of hiding place made high above the normal passageways of the gallery, shielding me from the other inhabitants, like armour for my body. Fractured glimpses of my body are visible as I move around the space. This narrow corridor is like a wooden cloak or carapace, but the privacy it affords also turns into a trap; a claustrophobic space I can’t leave without being seen.